Monday, 24 September 2012

Lara Eidi: music in her veins




Lara Eidi (Photograph by Eftihia Liapi)

I first met Lara Eidi at a Scottish Universities International Summer School in Edinburgh in 2006. Her bubbly personality lit every step she took and people were filled with laughter and joy where ever she went. However, late one summer evening, while relaxing beneath a tree on campus, hired guitar in hand, Lara sang and all listening were silent. The echo of her voice and guitar in my mind still gives me goosebumps. Crystal clear, sincere, heartfelt. It was then that I realised that music runs through Lara’s veins. It is not just something she does, but it is a part of her very being, far more than just an intense passion.
     
Two years later, I met up with Lara again in Edinburgh. She decided to entertain at our favourite pub, Bannermans, with a rendition of “With or without you” by U2, during an open mic night. It was no surprise (not to me, at least) when a talent scout approached her with a business card and told her that she’ll organise a gig for Lara.
     
I’ve since been watching my gifted friend bloom and grow into the true artist I always knew she was. To this day, I don’t know if Lara knows exactly how amazingly talented she really is because music and Lara are one and the same – it’s how it’s always been. Music is something she has always shared with the world.
     
I simply just had to have an exclusive interview with Lara, the first international artist to be featured on Culture Box.
     
Here follows the interview:
You have a diverse background. Tell us a bit about your family and upbringing.
Lara Eidi (Photograph by Eftihia Liapi)
Ah. Yes. I have trouble explaining it myself. Well, I’ll give it a go. I was born and raised in Greece. My parents are of Lebanese-Palestinian-Canadian descent. We conversed in three languages simultaneously, not by choice, and often confusing. I soon understood all Lebanese follow their way of speaking by the same means. I went to an international school; all my friends were Greek so I learned Greek there. I imagined myself studying in Scotland. I’ve travelled and have been grateful for the opportunity to do so. I have always seen myself as an outsider, culturally, as I believe we are human beings first before we are a nationality.

When did you start to show an interest in music?
I’ve always been into music. I knew it was something I could identify with as a kid, when all else failed and, as I grew older, something I could create and share. Now I understand how it is an extremely spontaneous art form that can often elevate as much as it can remind us of dark times. I tried following the conservative way of learning music, studying at various music conservatories on and off, but very seldom did very few teachers show me the way to make music as a way of life, not as a job.

Is your family musical at all?
Yes! (smiles) Most members of my family here [in Greece] and abroad are either accomplished or amateur musicians.

What instruments can you play, and when and where did you learn to play each?
I played classical piano since the age of eight and enrolled in a conservatory (Odeo Kodaly) where I was part of an amazing vocal children’s choir, which opened my eyes to the possibilities of vocal harmony (Mr. Patseas). I taught myself guitar, jamming with friends at 14. I stopped playing piano around 19 years old, due to tendonitis, and started taking up lessons again only recently. All lessons took place in Greece.

Lara Eidi (Photograph by Eftihia Liapi)

Have you had any voice training? You sound like an angel!
I trained with amazing voice teachers; two different, but very positive human beings (Karen Solomon and Nina Kaloutsa). Karen, I had known a long time and trained with her for about three years on and off. She helped me discover my voice again after a period of not being able to sing for three years, as I had nodules on my vocal chords and refused to see a doctor. When I did, and had an operation, she helped me regain my ‘speaking’, as well as singing. Nina was responsible afterwards for finding the power in my voice and giving me a final nudge out the door, so to speak.

What qualifications do you have and why did you choose to study in that/those directions?
This is a question which I try to avoid, as I only really have a few! (laughs) I have a Degree in English Literature and Journalism because, besides music, I am an avid fan of the literary arts and love writing, especially literature for children. Roald Dahl was my hero growing up and, often times, my comfort zone. I have a few qualifications from the London College of Music, but most of the qualifications I have in the arts are not written on paper. Having said that, a musician’s and writer’s role, I feel, is to continuously learn and never stop, by practicing and playing, not by means of certificates on a wall.

Lara Eidi (Photograph by Eftihia Liapi)

Was it always your plan to be a professional musician/singer/songwriter? If not, what made you change your mind to pursue a career in music?
I honestly can’t say that I’ve chosen music as a career, as I’ve seen that nowadays musicians’ careers (successful ones at least) last for a period of three years maximum. I always struggled with the idea of taking up music professionally because I feel that I can’t handle the whole ego thing with musicians (who can?), as well as the competition. I never actually saw myself as a singer-songwriter; more as a singer who can play the piano well enough to write some songs, and with a lot to say. I feel that inspiration to document everything down musically led to my decision, therefore, to choose music as a life path.

I believe you have performed both as a solo artist and as a band member. Which do you prefer? How are the dynamics different, if at all?
It’s a give and take situation, both ways. In a band, you learn to put your personal feelings aside so that they can correlate harmoniously within a group. You offer some part of your soul through your instrument, but not all. As a solo artist, you do the same actually, but this time, it’s tougher because you have to continuously lead and inspire people, i.e. your band mates. I think, although I reject the idea of being called a leader because I like to learn from people who are better musicians than me, I prefer the second, as it gives me more room to create and more artistic space.

You’ve performed in pubs and at big festivals – which do you prefer and why?
Well, I have a long way to go (laughs), but er, so far I think I prefer small audiences. They’re nicer and you can see who you’re playing for. Of course, festivals aren’t so bad either. As long as I can play music big enough to fill all that standing space!

Lara Eidi (Photograph by Eftihia Liapi)
When did you start writing your own songs?
Two years ago.

What inspires/influences your music?
Everything.




What do you believe people can gain/learn through music?
I hope, that at the point I’m at, I can give some calm to people in this crisis - I don’t feel like an entertainer, I feel like a person who wants to sing and play for people who will listen and feel relaxed, as well as happy. Music for me is supposed to drown out the noise in our heads.

What is it about music, no matter what genre, that makes it so universal?
When words fail, music takes shape and form and speaks for us. (Yes, I know Shelley, Byron and Keats ALL said that. But it’s so true!)

What do you think it is about music that can move you from one emotion to the next?
Its spontaneity - it’s so many things all at once: sound, shape, tonal frequency, rhythm, harmony - they all follow our emotions, which change invariably. And I guess the more complex the emotions, the more complex the music.

Any other achievements/comments you would like to add?
Hmm, well, I hope to go back to Scotland one day and my dream is to play at the Festival. And I hope to be able to play one day for Palestine. Music has the power to transcend borders on a grand scale; people just don’t see it yet.

Upcoming gigs?
Yep, I’ll be playing with my current band mates at a beautiful location in Plaka, Athens, called Vrysaki. After that, I believe I’ll be singing at a festival for charity in Beirut. Anything I can get my hands on, anything I believe in.

Lara Eidi's EP titled "Little People"
Any albums in the pipeline?
Well, a small and humble effort was made this summer to record a mini EP of four tracks, which will be available end September on CDbaby!

Other future plans?
Gig, gig, write, gig and write some more. And of course, travel with music!

Visit Lara’s website: www.laraeidi.com
Like her Facebook fan page: http://www.facebook.com/#!/LaraEidi
Follow her on Twitter: @LaraEidi
Watch Lara’s first track on Youtube: http://www.youtube.com/watch?v=RF5v1sADuCk

Lara Eidi - Singing Ah (revolution song)

Monday, 23 July 2012

Artspace Mentorship Programme

by Pat Sithole
So many gifted artists bud, but they are never given the opportunity to flourish. They are talented, but are never given the tools or the skills to perfect their craft. They pour their every ounce of energy and passion into their work, but are never given the opportunity to showcase it.
Artspace Gallery in Rosebank, Gauteng, presents a unique mentorship programme to unknown South African artists. This programme provides visual artists, who have promising career potential and who are ready to enter the professional market, an opportunity to work under the guidance of established contemporary artists in the same field. Here, budding artists learn invaluable skills and work towards their first solo exhibition in a professional, commercial gallery environment. The programme’s objective is to provide a platform from which new contemporary artists may launch their careers as professional artists.
Artspace Gallery curator, Teresa Lizamore, states, “It is very difficult for a new artist to break into the market. Galleries rarely work with unknown names. This programme is designed to give artists a foot in the door and to expose them to working within the professional sphere. Navigating through relationships with galleries can be intimidating for a new artist with little experience.”
This flagship project came into existence in 2008 and has showcased eleven new artists, some of whom have already made a significant impact in the art industry. These artists include:
  • Lindi Arbi (mentored by Tanya Poole): a winner of the 2010 Spier Contemporary.
  • Nomusa Makhubu (mentored by Tanya Poole): selected for the prestigious Dali International Photography Exhibition in China in August 2012.
  • Same Mdluli (mentored by Leora Farber): currently studying towards her doctorate.
  • Louis Olivier (mentored by Wilma Cruise): his first exhibition was a sell-out. His second solo exhibition at Artspace in late 2011 was yet again sold out. His third solo exhibition with Artspace will be in 2013.
This year, Artspace looks forward to hosting two exhibitions in August and September by their 2011/2012 mentees and mentors.
Mentees to showcase their work include Pat Sithole, mentored by Francki Burger, and Ruhan Janse van Vuuren, working under the guidance of Marco Cianfanelli.
Pat Sithole is from Kwa-Thema, a township in Springs, from which he draws his inspiration. “My work talks about reality; I draw objects that portray life. They may look old but I make sure they have life, so that whoever looks at them must not see any sadness of our history. Instead they must know that this is where we come from, we are proud of it and even more proud of where we are today in our township.”


by Pat Sithole

by Pat Sithole


Sithole is the nephew of well-known South African wood sculptor, the late Lucas Sithole. He completed matric at Kenneth Masikela Secondary School. He then enrolled at Intec College in 1999 where he studied Commercial Art for three years. He received merit awards for the Ekurhuleni National Fine Art Awards in 2006 and 2007. He was then selected for the Sasol New Signatures in 2009. Sithole currently teaches art at the Kwa-Thema Library to young people between 13 and 35 years of age.

Pat Sithole will be launching his solo exhibition on 8 August 2012.
Ruhan Janse van Vuuren was born in Amersfoort, Mpumalanga, in 1981, but currently resides in Pretoria. He was born to an accountant father and a teacher mother.
Janse van Vuuren’s interest in art immerged at a tender age, when he began to draw his own pictures: “As far as I can remember, I was always busy with drawings but colouring in seemed so restrictive.” When he was given LEGO as a gift, he soon realised the limitless potential of the blocks and created his own masterpieces. This was the beginning of his interest in three dimensional creations.

by Ruhan Janse van Vuuren

After the family moved to Pretoria, Janse van Vuuren attended the Jacqui Theron Art School. There, his interest in 3D objects lent to his clear talent for sculpture and upon finishing high school, received a distinction for Art. He won an art competition before he pursued his studies in Fine Arts at the Tshwane University of Technology, where he excelled and specialised in sculpture. His lecturer, Jan van der Merwe, was an inspiration to Janse van Vuuren and still has much influence. Janse van Vuuren’s final student exhibition sold out.
After school, Janse van Vuuren spent time working at Dionysus Sculpture Works, a foundry in Pretoria, as an assistant to Angus Taylor. He assisted in the process of the sculpture from clay to bronze, as well as worked on the sculpting process of many Monument commissions, including Chief Tshwane, Brenda Fassie and Solomon Mahlangu.
Janse van Vuuren is now focusing on his career as a full time artist. His sculptors are a reflection of the fragility of the human condition: “It is all about the small details that people cannot see but are significant to them.” He is influenced by people he meets, the stories they tell and the manner in which they deal with different situations.
Ruhan Janse van Vuuren’s solo exhibition will open on 1 September 2012.

Portret Hoek
by Ruhan Janse van Vuuren


Artspace Gallery
Address:
Chester Court
142 Jan Smuts Ave
Parkwood
Tel: +27 11 880 8802

Friday, 20 April 2012

Artist Proof Studio

Press Release
Coming of Age: 21 years of Artist Proof Studio
6th May 2012
A public lecture by William Kentridge 2:00 - 3:00pm
Opening reception at 3:30pm by Sibongile Khumalo
                                                           Closing 6th July 2012

William Kentridge: Colour Chart (2012)
Coming of Age is a retrospective exhibition of Artist Proof Studio (APS) which celebrates 21 years of printmaking in Newtown. The exhibition will open on 6th May 2012 at the Johannesburg Art Gallery (JAG). This event will be a unique opportunity to experience the talent and energy of the artists at Artist Proof Studio, as well as other established artists who have supported the studio’s growth over the last 21 years.
Artist Proof Studio, a community based printmaking studio, partners with corporates, patrons, foundations, artists and individuals to create an environment in which talented young artists are offered the space and opportunity to reach their full potential. Editions of historic and current Artist Proof Studio artists will be showcased in 18 uniquely curated spaces within the Johannesburg Art gallery.

Elza Botha: In memoriam Ingwavuma van
die Timbavati vir Credo Vusamazulu Mutwa,
Maria Khosa en Linda Tucker (2008)

The exhibition will include the works of Philemon Hlungwane, Nelson Makamo, Lehlogonolo Mashaba, Lucas Nkgweng, Kim Berman and many emerging talents. New releases of editions from collaborating artists include William Kentridge, Diane Victor, Wim Botha, Norman Catherine, Paul Edmunds, Gerhard Marx, Colbert Mashile, Chris Diedericks, Kudzanai Chiurai and others. 
Please join us on Sunday the 6th May for a public lecture by William Kentridge at 2pm, followed by the opening of the exhibition by Sibongile Khumalo. APS looks forward to hosting members of the public at various events during the exhibition and will hold a series of lectures, printmaking demonstrations and walkabouts during the month of May at the Johannesburg Art gallery and at Artist Proof Studio.


There will be regular updates on the website: www.artistproofstudio.co.za or for more info contact Tiny at tinym@joburg.org.za or Noli at admin@artistproofstudio.co.za.

Norman Catherine:  No title (2012)

Sandile Goje: Kids watching Christmas sunrise (2012)



Thursday, 15 March 2012

"Shaggy: 14 Rather Amusing Rambles" by Anton Krueger and Pravasan Pillay

Shaggy: 14 Rather Amusing Rambles
Prepare yourself for a cast of some of the most manipulative, ingratiating, deluded, egotistical, inauthentic, spiteful narcissists operating in contemporary South Africa. You will encounter fourteen first-hand 'shaggy dog stories' told by a rogues gallery of scheming misanthropes whose speeches are full of sound and fury, signifying very little. These hilarious blowhards will make you snigger, cringe and wish your cousin had rather given you Spud 5 for your birthday.

These 'shaggy' stories completely re-work the traditional shaggy dog story for a new generation. Taking the form of ironic comedy monologues, they’re not so much a re-invention as a complete and thorough detonation of the form which has then been re-pasted together using a glitter gun soaked in vodka.

You’ll soon find that each self-indulgent story is told by an arrogant git, completely blind to their own flaws. Characters include a washed-up comedian giving advice to a young wannabe; an executive eager to exploit the recent fandangles at the SABC; a conceptual artist obsessed with his body issues; a woman addicted to washing dishes; and a Satanist trying to sell time share. Just for good measure, we’ve thrown in a gangly ‘inventor’ intent on redesigning the Rubik’s cube, and a bizarre staff meeting about baked beans.

Peculiarly, and for no apparent reason, each story takes place in Margate, with a possible diversion to Germiston. You’ll find here a rich and distinctly dry South African humour, and yet this is a new flavour never seen before, a touch above the regular run-of-the-mill antics of South African comedy. Pillay and Krueger are a brazen new voice, a brave new publishing venture set to ignite a new generation of readers into paroxysms of bewildered hysteria.


Review
“Through the 'rambles' of these characters, the authors devilishly deconstruct the quotidian and mundane, leaving the reader with little desire to breathe before the next over-the-top tale. Not a single story is without tremendously fine humour, a featherlight touch and a rib-tickling turn of phrase. If variety is the spice of life then humour is surely not far behind, and with this cracking collection Krueger and Pillay have established themselves as a brave new voice deserving of an appreciative audience.” - Jonathan Amid, LitNet.


About the authors
Anton Krueger has published widely in many different genres, including plays, poems and a manifesto in Turkish (Amatorizm Manifestosu). His memoirish novella Sunnyside Sal (2010) is funny and moving.

Pravasan Pillay has published a chapbook of poetry called Glumlazi (2009). He runs the small press Tearoom Books based in Durban.

Interviews
Listen to an interview with Anton Krueger on SAFM: http://www.youtube.com/watch?v=E7Dji7_1UOU


Social networks

Follow Shaggy on Twitter @Shaggy_book.

Order a copy
Email: Mari Roelofse at mari@bkpublishing.co.za
Tel: +27 12 342 5347 / 4118